The Left

Jackie, acting as an MC in a large auditorium, introduces Freya as "a fascist". Freya makes well delivered speech, backed by glorious, rousing orchestral music. The audience responds with fulsome applause.

The MC then introduces Tabby as "a leftist". Tabby is overwhelmed by the stage lights, then whines some [http://philosophyfaculty.ucsd.edu/faculty/ewatkins/Phil107S13/Hegel-Glossary.pdf#targetText=Actuality%20thus%20incorporates%20a%20reference,APPEARANCE%20(Schein%3B%20Erscheinung). academic] mumbo-jumbo, accompanied by atonal clarinet squawking. The audience boos and jeers. Tabby responds by getting angry and bringing out her baseball bat.

The screen fades to black. Some time later, Tabby and Justine are playing a chess game, and discussing Tabby's speech. Justine notes that Tabby's speech "didn't go too well, did it?". Tabby blames societal conditions for the audience hating it. Justine then offers to help Tabby to find ways to engage with the general population, creating some spruced-up covers for Marxist literature.

Freya pops her head into the room, and Tabby scares her off. Tabby uses this as proof of the effectiveness of the Punch-a-Nazi strategy. Justine suggests that if Tabby could get 30,000 people attending counter-rallies, there would be no need to use punching to intimidate and overwhelm fascist activists. Tabby is stunned by this idea.

Jackie interrupts to invite Justine out to brunch. Justine shoos her away, but it is clear that Justine has sympathies to centrist people. She concludes that leftists need to be "ice cold motherfuckers".

The conversation, and the chess match, end in a stalemate

The chess match is set to Zoe Blade's performance of Funeral March of a Marionette by Charles Gounod